be required in specific scenes. Aliasing and other artifacts can often be minimized using this method. In some cases it makes sense to scan some scenes in 2K and others in 4K. In this way shots that could benefit from the extra resolution have it, while the overall cost is kept down. Most Digital Intermediate systems have no problem handling the mixed resolutions.
Finding the right K’s
4K has many advantages, and will most likely become the standard for digital intermediate work, but with today’s technology the costs of working in 4K often exceed the benefits. Whether a project should be done in 4K, 2K, HD, or a mixture is a decision that should be made based on the project’s content, distribution, and budget. An anamorphic 35mm epic will most certainly benefit from 4K, while HD is a more logical choice for a 16mm project. It should always be