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Home » Blog » Digital Rotoscoping for Visual Effects

Digital Rotoscoping for Visual Effects

Article by MOHAMMED

Today, rotoscoping is done in the computer, using programs such as Nuke, Silhouette, Flame/Smoke and After Effects. The shift to computer-based rotoscoping began in the early 1990s with a software called Colorburst, an image editing tool like Photoshop, that later evolved into Matador. “When computers became prodigiously viable around here, right after the Terminator 2/Jurassic Park era, we realized that the computer had great capabilities for this,” Bertino said. “It obviously became much simpler.”Mongovan said that today, one rotoscope artist can do the same amount of work that eight used to do, and in one quarter of the time. This is often because in traditional rotoscoping, each frame had to be drawn individually. The computer, on the other hand, can use the previous frame as a basis, which means most of the drawing may already be done.Rotoscoping software works using splines, which are a series of points connected by a line or curve. These splines are adjusted from frame to frame, so that they continue to conform to whatever shape the artist is tracing. Because rotoscoping software includes the tools to paint an image, rotoscope artists now find themselves doing a lot of paint work as well. “Rotoscoping is becoming the lesser part of what we do,” Mongovan said. “We do so much more painting.” Painting might mean taking someone out of a shot, or replacing a sky, or painting out the tennis balls used as visual effects tracking markers.Marilyn Horowitz, the president of ArtMar Productions and creator of The Horowitz System®, a revolutionary visual writing system, is an award-winning New York University professor, a producer, a screenwriter, and a New York-based writing coach who works with bestselling novelists, produced screenwriters, and award-winning filmmakers. She is the author of five books

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Filed Under: Filmmaker News Tagged With: Digital, effects, Rotoscoping, visual

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