quickly rush them to television or DVD so the title is fresh in the memory of the gay cinema junkie looking for their next fix. Film festivals are left with programming the best they can given the saturation of poor quality content arriving by the truckloads. Filmmakers who aspire to make actual films (the ones actually shot on film and use bona fide actors) find themselves lost to find the financing in a world of diversified hedge funds where the bottom line of next year outweighs the profit of the long-term investment. The justification that distributors give to filmmakers trying to raise enough capital to make their films is the calculation of the break-even point based on domestic box office receipts rather than ancillary DVD or on-demand sales; however, if the distributor is releasing a low-quality film for one day or a week, then the financial performance is a
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