difficult to make older formats look good in HD.
I recommend you make your movie using 35 mm unless you are using a Red, a Viper or the Sony F23. The 35 mm could then be transferred to digital(preferably HD) using a process called Telecine for cutting and editing.
4. Post Production
Here the editor assembles the footage and formulates a rough cut of the material.
Most directors work very close with editors to identify the most important shots to represent their artistic ideas.
Some directors rely heavily on their editors judgment and present them with many additional hours of footage, allowing them to decide what gets cut from the film.
Editors are normally very artistically inclined and make tremendous contributions to projects so finding a good one is important.
Here is also where special