Laid the Golden Egg (1936)
Felix has been said to represent a child’s sense of wonder, creating the fantastic when it is not there, and taking it in stride when it is. His famous paceands behind his back, head down, deep in thoughtecame a trademark that has been analyzed by critics around the world. Felix’s expressive tail, which could be a shovel one moment, an exclamation mark or pencil the next, serves to emphasize that anything can happen in his world. Aldous Huxley wrote that the Felix shorts proved that “What the cinema can do better than literature or the spoken drama is to be fantastic.”
By 1923, the character was at the peak of his film career. Felix in Hollywood, a short released during this year, plays upon Felix’s popularity, as he becomes acquainted with such fellow celebrities as Douglas Fairbanks, Cecil B. DeMille, Charlie Chaplin, Ben Turpin, and