Post-Chat Q & A with Rajiv Jain, Indian Kenyan Cinematographer, Bhartendu Natya Academy of Dramatic Arts Graduate – Lucknow, India

even better, be sharper, and more realistic looking if you made the same image using 1250 smaller tiles? You see the increased negative area of Super 35 uses 25% or more grains to make the same picture, rendering each grain smaller, and thereby increasing the resolution. There is also something magical that happens when you widen out on the gate of the telecine machine in this final optical stage of the process. You would also be amazed at the ability to pull clean blow ups of 50% or better to extend your coverage in situations where you may be a bit short. The only downside to Super 35 is that there isn’t anymore image to reposition with than you have on your full aperture negative, unlike normal 35 which gives you the opportunity to repo into the unused areas. I prefer to think that our ability to compose a shot should be good enough to make use of all the negative area