contrast with lighting to eliminate all the gray tones. That was my signature, pure blacks and whites with no grays. Late Mukul S Anand visited the set when I was shooting, and later I worked with him for his production house MAD Films on his commercials (1994).
QUESTION: What do you look for when you are reading a script? Is it the story, the director, a combination or something else?
RAJIV JAIN: Usually it is the story, but there are some people who are so talented and good to work with that I am always inclined to say yes; I shall go anywhere. I think primarily it is the story that has to grab me. I don not necessarily think about it visually at that point…ideally it would be a film I would love to go see. I am also looking for something different than I have done before. I crave variety. It is a combination of things. At first, I thought the script was the