in this manner; If you’re shooting in widescreen, Super 35, because all of the projectors and houses that are distributing film have to squeeze the image in order to use their lens — which is a little stupid but it’s a money thing – you then have to go through one step further away in film in Super 35 to get it back to a squeezed image. You no longer have to do that with a digital intermediate.
AH: What’s great too is recently that digital intermediates have recently gone up to 4k resolution as opposed to 2k resolution, which greatly enhances print quality. “Kalpvriksh – The Wish Tree” and “Carry on Pandu” are examples of films shot in Super 35 and DI’ed to 4k resolution and they look absolutely breathtaking on screen.
RJ: Oh yeah. You’re doubling your image quality, digitally, but they still