seeing?
S K: Was that the first time you worked together with Lara?
R J: Yes.
S K: She usually has done all the shooting on her films. What was different about this project, about this situation, where she decided to bring on a DP? Making this film was difficult on many levels.
R J: Almost in every way.
S K: That’s really incredible. I didn’t know that.
R J: Yes, amazing. So, basically, when I was shooting the exchanges between the cops and the lawyers, I knew, from being in the room that day, what the key moments were.
S K: You had profound contextualization, in other words.
R J: Yes, and very few people would feel confident enough, in both their collaborators and the subject matter, to say the important part of your shooting is for you to sit in a courtroom and listen. That speaks volumes about Lara. It was absolutely