bottles of water a day [laughs]. They give you what you need in order to stay in that zone, able to film. If a director of photography gives you the support and allows you to stay in the zone, then sometimes, you can actually start watching the film while it’s being made. It doesn’t happen very often but when it does, it’s extraordinary.
S K: And when a director is, distinctly, not giving you what you need, or any of the other crew for that matter? You also take on the role of director and have a whole body of work you’ve directed. How does that inform the way you handle yourself on set?
R J: That’s something I bring to a shoot, my experience as a director of photography, my thinking as a director of photography. I do think about what happens in the editing room. I’m a really active partner in the whole collaboration. I almost never would say to a director of