photography, in the moment, that things aren’t okay, that they aren’t working. There’s too much going on. But every night, I’ll come back with my input, letting him or her know that we needed more support in this regard; something was great in the way it was executed; we’re not giving this character enough time, etc. Sometimes, I really will push directors in terms of blind spots I feel they have. We all have them. I expect to be pushed on mine. Once in a while, I will encounter someone who’s not interested in the elephant in the room and for whatever reasons, it’s scary territory for them and they start putting up all these subconscious obstacles to actually getting at it. I’m definitely not a silent partner at the end of the day. I will do what I can do in the course of a filming day and won’t call into question any of the directors choices. But at night, over dinner, I
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