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You might get a note saying they don’t believe a character would do or say something, particularly dialogue or actions of a certain time period or profession, such as a cop, or a farmer from the 18th century in Russia. The writer defends the charge by citing historical facts, or stating they have seven relatives in law enforcement, or they grew up in Canada, and they do, indeed, talk like that. Well, it doesn’t matter. If your audience is distracted by your authenticity rubbing them as cliché or improbable, you need to revise. Screenwriting is compression and art. It’s truth, not a transcription. Where do clichés come from anyway?
I recently got a reaction from an audience member to a movie I wrote that I had never heard from anyone EVER. My first instinct was to say to myself, well, um, that’s stupid, because EVERYBODY else thinks